No, I'm Not At Bloody Glastonbury
The Pilton Pops has failed to draw me for another year. Here's why:
1/ Paying £175 for the privilege of being allowed to pitch one's tent in a field full of Guardian readers and their face-painted kids. These responsible citizens are all over you should you drop a sweet-wrapper but later won't see anything at all when your tent gets robbed.2/ Being accosted repeatedly and performed-at by jugglers, street-theatricals, crystal therapists, pseudo-tribal drummers and new-agers in wacky costumes. A polite "fuck off out of my face you dreadful hippy" is likely to be interpreted as a sure sign that you're a philistine in league with the forces of conservatism and you may be burned as a heretic.
3/ "This one goes out to..."
Usually reserved for victims of oppression/war/famine/disaster somewhere in the world the plebs hadn't heard of before being educated by a millionaire coke-addict but, this year, the next song goes out to a freshly-dead pop-star*. The appeal is designed to do two things; first and most importantly, it is to win cheap applause, making the performer feel good and expanding their self-image from being a mere transient pop-tart into being "spokesman for a generation". Secondly, it is to assert the performer's aura of superiority over their audience, as the appeal will usually be designed to invoke a sense of guilt and collective-responsibilty. It's in your hands, people!
4/ "Making a difference".
Having paid the £175 penance for your realworld subscription to the evils of capitalism; once inside the 10 foot high security-fence and having been fitted with your bar-coded wristband, you are now part of "the experience" and elevated to a position of moral-worth one rung beyond that achievable by those who don't queue up for overpriced pop gigs staged in muddy fields. Inside the security-fence, any kind of "negativity" must be cast aside, along with any decadent western expectations regarding running-water, decent food, electricity and sanitation. By queuing two hours to do a shit in a shit-filled bucket swarming with flies then saving water/"the planet" by not washing your shitty hands, you are empathising with the day-to-day poverty of those in faraway lands, so to look down your nose at the opportunity would be to stick two fingers up at the world's poorest. The festival site is littered with bossy patronising petty-minded signage, reminding campers of their many and continuing responsibilities to the collective. Should you forget any of the salient points and, you know, accidentally light a fag in a corner of the Family Field, a pointless streak of middle-class piss wearing Lennon specs and a small beard will soon be over to explain why he's a better person than you.
5/ "We're all in this together"
Ah, the torches swaying aloft during the power-ballad, the star beaming out their non gender-specific love to the mass of punters below, the feeling that by singing this one together we'll all be celebrating a oneness of such magnitude that the poles will be united, poverty and injustice will be no more, that world peace will be inevitable and all the Bad Stuff will be defeated. The mass of by-now rain-soaked mud-streaked sunburned sleep-deprived half-starved dehydrated and fleeced-dry punterati applaud with all they've got left as the multi-millionaire headline act tosses off their one memorable song ahead of retiring to the air-conditioned backstage limo-reception area; there to enjoy cocaine, champagne and miniature bread whilst checking their half-million quid appearance fee is safely banked before fucking off home through the special traffic-free VIP exit.
6/

7/ Despite low audiences for their festival-coverage, the BBC are there en-masse. 407 of 'em, at the last count. Well they would be, wouldn't they? It's right up their street. All on tellytax-funded expenses, naturally.
8/ The price of recreational drugs. With police on overtime doing stop n' search at all but the VIP entrances, the only people able to ship in the much-needed soma supplies are well-connected gangsters able to charge a hefty premium in this closed-market.
9/ The collective conceit among festival punters that it is all somehow more than just a big gig that costs too much and goes on too long. That Glastonbury 2009, with its high fences, security guards, bossiness and smug hierarchy has anything at all in common with the spontaneous free festivals of yore.
10/ Festival-bores who go on about how much better were the spontaneous free festivals of yore.
*Rumour has it that the King Of Pop [© the Queen Of Pop] is to be recycled. Into something white, plastic and a danger to da kiddies innit.
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Labels: BBC, breastfeeding bus, denormalising nulabor, Glastonbury, green-authoritarianism, hippies, pop festivals, wimminses








